Browning the Map
Danny Jauregui — Artist
Danny Jauregui was born, raised, and currently lives in Los Angeles. His artwork consists of animations, digital photographs, and game engine projects that explore the history of Los Angeles’ queer space and ephemera. His work often incorporates historical records found in archives and his artistic interests link issues of belonging, contested public spaces, and public memory.
The spaces I have chosen to highlight are my attempt at “browning” the map, which is to say, an attempt at destabilizing and piercing established white-queer narratives that so often accompany the telling of the history of our spaces. One way of approaching my contribution is to think of it as a counter-map within a counter-map. Queer Maps as a project exists as a counter-map because it uses a map to document a history that was always meant to be erased and destroyed by the forces of hetero-patriarchy. Its strength is in the way it extensively and meticulously documents the spaces that made Los Angeles queer. I propose to add a metaphorical layer to this map-based resistance by focusing on “brown” spaces and I further propose that we think of them as a constellation of brownness across time. Here, I borrow from writer Jack Gieseking’s conceptualization of lesbian bars in New York as a “constellation” or network of connected nodes. By focusing on these “brown” queer spaces, I argue that these spaces constitute a “brown constellation”--a network of spaces built by brown queers to survive the violence of the straight world, but also the alienation of the white gay world. Layering them on this map allows us to see that this constellation, this path between spaces, was always there, hidden in plain sight. In fact, it continues to smolder with life amidst constant threats of violence and erasure, and this is precisely what makes this contribution, a browning of the map.
The Plush Pony - Famously photographed in the 90s by legendary photographer Laura Aguilar, the Plush Pony in El Sereno was a lesbian bar frequented by working-class butches and femmes.
Le Barcito - In the former Black Cat space, Le Barcito was especially popular with Latinx immigrants and was the last occupant before the space was re-opened as the restaurant “The Black Cat” though now catering to an upper-middle class and mostly straight clientele.
Arena - A popular dance club in the 90s that was especially frequented by Latinx club kids. On Friday nights, the club held an 18-and-over night, though they rarely checked IDs. When I was 16, I would sneak in and dance all night.
Circus Disco - Directly behind Arena. I personally never attended but heard many tales told of this special place. One of the most popular dance clubs for Latinx queers.
The New Jalisco Bar - In downtown LA and currently only one of three operating gay bars in downtown (as of 2023), The New Jalisco Bar has attracted a new generation of young Latinx queers. A perfect example of how brown queer life continues to smolder with energy, this place is usually packed with beautiful brown queer bodies dancing, drinking, and thriving.
Browse Below
Bar
Plush Pony
Actual opening date unknown. In its later years the bar was run by Chela Plush.
"A squat, one-story building amid auto body shops and warehouses, [Plush Pony] was a lesbian bar that attracted Mexican and Chicana women with drink specials and Latin grooves." Miranda, C. A. (2017, November 3). Stories of the Plush Pony: Artist Laura Aguilar's portraits capture a lost era at a working-class lesbian bar. Los Angeles Times.
When photographer Laura Aguilar visited the Plush Pony, she encountered a certain lesbian community: working class, non-professional and butch. Setting up a small studio space in the bar, she offered to photograph the women and sell them prints for five dollars. Aguilar later recalled that the women agreed, signed permission forms, and received their prints, often without paying Aguilar. The series Plush Pony (1992) became one of Aguilar’s most popular and collectible series of portraits.
Featured in Danny Jauregui's
Nightclub
Arena
Arena was located on Santa Monica Boulevard, just east of Las Palmas Avenue. A former ice factory, the 22,000-square-foot structure opened as a nightclub in 1990.
It was owned by Gene La Pietra, who also was the proprietor of
La Pietra also owned the six-acre property where both clubs were located.
After Union Ice decided to close its Hollywood location in 1985, LaPietra and his then-partner Ed Lemos bought the huge freezer building on Santa Monica Boulevard. At first, they wanted to use the additional parking for their club and planned to lease the towering rectangular freezer. When nobody wanted to rent the structure, the Circus Disco owners decided to open another club.
The old building was completely refurbished, with a grand new entrance placed below a 50-foot-high glass atrium. Inside, clubbers encountered a wall of video screens. To the left or the right was the gigantic wooden dance floor. A long ramp, on the left, gradually lead to the second floor. Each level featured several full-service bars. The second floor had a spacious patio.
For a time, dinner was included with the price of admission, which ranged from less than $10 to more than $20. Dancers could rest and eat at tables lining the second floor, below a row of porthole windows. A glass-walled room featured R&B and hip hop beats. [Q Voice News]
The sounds of DJ Irene could be heard on any given Friday in the 1990s. Arena was a haven for club kids, ravers, rebels, kids from LA exurbs, youth of color, and drag queens throughout the 1990s and 2000s. [Sounding Out]
Both clubs had their last dances Dec. 31, 2015. They closed Jan. 1, 2016.
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Nightclub
Circus Disco
Circus Disco was the oldest, and longest-running LGBTQ Latino nightclub in Hollywood and Los Angeles. From 1974 until January 1, 2016, patrons of all races and orientations walked through the giant clown mouth at Circus Disco and into a cavernous warehouse where the judgments and inhibitions of the outside world got left behind.
Opened by Gene La Pietra and Ermilio “Ed” Lemos as a primarily Latino alternative to the then-exclusionary nightclubs of West Hollywood, Circus quickly developed a reputation (along with
Although historic preservation efforts were attempted, the building was sold. The new owners have promised to keep the clown entrance and put a disco ball in the lobby of the 786-unit housing complex.
Circus Disco played an important role in the Latinx LGBTQ community and in its history of political organizing and coalition building. In 1983, civil rights and labor leader César Chávez addressed roughly one hundred members of the Project Just Business gay and lesbian coalition at the bar, where he offered strategies for organizing boycotts and coalition fundraising.
Bob Damron: * (YC) (Disco) (D) (Very M) (3 bars, shops)
Also listed sometimes as 6648 Lexington Ave, Hollywood, CA
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